Our Relationship with Power: Why It Matters & What We Can Learn

Did you miss my show at Arts + Literature Laboratory? Here’s a recap of why I chose to focus on power and a video of the story I told at the reception.

Jenie Gao | Our Relationship with Power, video by Midwest Story Lab

One of the long-term themes in my artwork is relationships, between people, between nature and the man-made. My drawings capture moments when we connect, collide, and grow with others.

The purpose of this show is to explore how power works. It is to challenge the notion of power as a great force and reveal instead how it builds in small ways, and how our understanding of power will determine whether we will have a healthy relationship with it. It is to show that power must move in cycles, and be fluid and interchangeable in order to have balance. Each artwork illustrates a different relationship between subjects and the sum that their parts create.

Arts + Literature Laboratory is a collaborative space that hosts writing workshops, concerts, and poetry readings. The people who come here believe in speaking for something bigger than themselves, from working for environmental and social causes to leading community classes. When Jolynne Roorda, co-founder of ALL, invited me to show there, I felt it would be right to focus on this understanding of power, as something integral to the collective mindset and creative spirit.

My hope through any of my work is that it gives people a chance to reflect differently on themselves and how the world works, and with that, help each of us rise to the challenges that we all must face. So you can imagine what a gift it was when I learned that the people attending the write-ins were creating poetry in response to the art. ALL hosted a poetry reading with three of Madison’s acclaimed poets, including Oscar Mireles, our city’s poet laureate, alongside Cherene Sherrard and Matthew Guennette, who reflected on the theme of power in choosing what to read. I had the chance to speak with Matthew when he came into the gallery beforehand, to see the art and ask me about the underlying concepts. He said he wanted to read poetry that responded well to the imagery. It was humbling and profound, to feel what it meant to focus collectively on this theme.

On that note, major thanks to Jolynne, as well as everyone else who works hard to run this place (Rita Mae Reese, Simone and Max, I’m looking at you). Head’s up to my artist friends who are looking for a gallery venue. ALL is accepting exhibition proposals. ;)

Thanks also go out to all the wonderful people who came to the reception and those who organized events during the show, and to Midwest Story Lab for recording my talk.

Jenie Gao's artwork at Arts + Literatury Laboratory, Madison, WI.
Jenie Gao’s artwork at Arts + Literatury Laboratory, Madison, WI.
Jenie Gao's artwork at Arts + Literatury Laboratory, Madison, WI.
Jenie Gao’s artwork at Arts + Literatury Laboratory, Madison, WI.
Jenie Gao's artwork at Arts + Literatury Laboratory, Madison, WI.
Jenie Gao’s artwork at Arts + Literatury Laboratory, Madison, WI.
Jenie Gao's artwork at Arts + Literatury Laboratory, Madison, WI.
Gallery shot of Jenie’s show at Arts + Literatury Laboratory, Madison, WI.
Jenie Gao's artwork at Arts + Literatury Laboratory, Madison, WI.
Gallery shot of Jenie’s show at Arts + Literatury Laboratory, Madison, WI.
"Beast of Prey," by Jenie Gao, on view at Arts + Literatury Laboratory, Madison, WI.
“Beast of Prey,” by Jenie Gao, on view at Arts + Literatury Laboratory, Madison, WI.
"Beast of Prey" and "The Substance of Your Beauty," on view at Arts + Literatury Laboratory, Madison, WI.
“Beast of Prey” and “The Substance of Your Beauty,” on view at ALL.
Jenie Gao's artwork at Arts + Literatury Laboratory, Madison, WI.
Closeup of “The Substance of Your Beauty,” ink and watercolor drawing
Jenie Gao's artwork at Arts + Literatury Laboratory, Madison, WI.
Gallery shot of Jenie’s show at ALL.
Pamphlets on view at Arts + Literatury Laboratory, Madison, WI.
Jenie’s artist’s pamphlets on view at Arts + Literatury Laboratory.
Jenie Gao's artwork at Arts + Literatury Laboratory, Madison, WI.
Gallery shot of Jenie’s show at Arts + Literatury Laboratory.
"Attention," woodcut by Jenie Gao, on view at Arts + Literatury Laboratory, Madison, WI.
“Attention,” woodcut by Jenie Gao, on view at Arts + Literatury Laboratory.
"The Golden Cage," by Jenie Gao, on view at Arts + Literatury Laboratory, Madison, WI.
“The Golden Cage,” by Jenie Gao, on view at Arts + Literatury Laboratory.
"The Golden Cage," by Jenie Gao, on view at Arts + Literatury Laboratory, Madison, WI.
“The Golden Cage,” by Jenie Gao, on view at Arts + Literatury Laboratory.
View of the show from the smALL press library at Arts + Literatury Laboratory, Madison, WI.
View of the show from ALL’s conference room / smALL press library
"There Is No Such Thing As Me" (left) and "What We Repeatedly Say" (right)
“There Is No Such Thing As Me” (left) and “What We Repeatedly Say” (right)
"There Is No Such Thing As Me," ink drawing by Jenie Gao
“There Is No Such Thing As Me,” ink drawing by Jenie Gao
"What We Repeatedly Say," ink drawing by Jenie Gao
“What We Repeatedly Say,” ink drawing by Jenie Gao
"We Write Our Autobiographies on the Shoulders of Giants," ink and watercolor
“We Write Our Autobiographies on the Shoulders of Giants,” ink and watercolor
"Counter Intuition," ink and watercolor"
“Counter Intuition,” ink and watercolor
Opening page of "The Golden Cage," artist's book by Jenie Gao
Opening page of “The Golden Cage,” artist’s book by Jenie Gao
"The Golden Cage," artist's book by Jenie Gao
“The Golden Cage,” artist’s book by Jenie Gao
"The Golden Cage," artist's book by Jenie Gao
“The Golden Cage,” artist’s book by Jenie Gao

Learning to See: Reception

Art is nothing without dialogue. At the end of the day, I am little more than the applicator of colors on paper. So it is both humbling and special to see that something as basic as a set of pictures on a wall is enough to draw people together. We humans are peculiar and endearing like that. For all our cynicism about humanity, time and again we prove that the simplicity of a flat piece of paper is enough to make us stop and look, a song or some spoken words enough to make us gather in a crowded room and resonate with other people.

To the people who attended my reception at Ploch Art Gallery, thank you for being there not just for the show, but for the experience. Anything can look good on paper. It takes people to make that paper mean something.

On that note, thank you to my friends who came to support me. Many of you drove an hour or more to be there. Thank you to Barita Vincenti, Adriana Moracci, Alicia Candiani, and Daniela Ruiz Moreno at Proyecto’ace for inviting me to do a residency and helping me produce my book, The Golden Cage, which has turned out to be a critical point in the development of my newest work. You are truly masters of your craft. Thank you to Latasia Lowery for offering feedback on the final text and design of my book, The Golden Cage. Thank you to Latasia and Jer Yang for your feedback on my talk, and always being willing to listen and discuss ideas. Thank you to the people at Museo de Arte Moderno for inviting me to do a residency in Chiloé, where I was able to reach another turning point in the goals of my work, and to Jose Salas and Javiera Castilla for being such great hosts during my stay there. Thanks for taking me bird watching on the island. Thank you to Adam Cohen and Mandy Tsai for being incredibly reliable friends and helping to install the art at Ploch. You saved me much time and sanity and probably treated the work better than I do. Thank you to Pedro Castro for taking the beautiful photos featured in this post so I can share these moments with those who could not attend the show. Thank you to Robin Luther for all your coordination, marketing, promotion, and general time and hard work to make this such a seamless event. Thank you to photographer Bill Zuback for writing one of the kindest responses to the work following the reception. I’m honored by your words and can’t express my respect for your character and perspective enough. I’m forgetting a gazillion people, but thank you to everyone for listening to my story and sharing yours as well.

The show is still on display through May 18th. If you are so compelled to visit the Wilson Center (and I encourage it, they have great performances there), I invite you not to see art not as a static portrait, but as a mirror that changes depending upon who views it. In that exchange, I hope you may see something the rest of us did not, and thereby start a new conversation.

Preview of Solo Show at Ploch Art Gallery

I have been back in the States now for two weeks, and my first bit of business has been preparing for a solo show at Ploch Art Gallery at Sharon Lynne Wilson Center for the Arts in Milwaukee, Wisconsin.

Here is a preview of the show and a few of the new pieces, many from my art residencies at Proyecto’Ace in Buenos Aires and Museo de Arte Moderno in Chiloé.

The show will be up through May 9th. The opening reception is Saturday, April 18th, from 6 to 7:30 pm. I would love to see you there!

2015_JG_PlochArtGallery01

2015_JG_PlochArtGallery02
View of a new series, “A Test of Vision,” and to the right, page spreads from my new artist’s book, “The Golden Cage”
2015_JG_PlochArtGallery03
View of a new series, “A Test of Vision”
2015_JG_PlochArtGallery04
(farthest left) “Remember, You Are Human”
2015_JG_PlochArtGallery05
“Angelica” (left) and “We Write Our Autobiographies on the Shoulders of Giants” (right)
2015_JG_PlochArtGallery06
“We Write Our Autobiographies on the Shoulders of Giants,” ink on paper
2015_JG_PlochArtGallery07
“There is No Such Thing As Me,” ink on paper
2015_JG_PlochArtGallery08
Second hall of the gallery space

2015_JG_PlochArtGallery09

2015_JG_PlochArtGallery10
Page spreads from “The Golden Cage”
2015_JG_LearningToSee01
Close-up/sneak peek of a new ink drawing, “Counter Intuition”
2015_JG_LearningToSee02
Second close-up of “Counter Intuition”
2015_JG_LearningToSee03
Close-up of “Our Little Freedom”
2015_JG_LearningToSee05
“The Light Within Us We Do Not Use,” ink on paper