Proyecto’Ace, Week 2: Drawing and Carving the Images

If I’m to say any truth about the way our brains work, or at least my own, it’s that there’s often a delay between our experience of a thing and our understanding of it. (Or I’m just a little slow.)

This is my second post about my time at Proyecto’Ace. Read the first post here.

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The story is something of an allegory. Once I knew that I would be creating a fictitious tale, the storyboarding happened quite quickly. I love the momentum I had right from the start of this project. I finalized 12 images to illustrate this story, printed in two colors, for a total of 21 woodblocks to carve, print, and edition in under two weeks (my hand still aches thinking about it).

It’s funny to me that I had to fly to the other side of the equator to resolve thoughts that I have been brooding on for a long time in the States about our work culture.

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The story I’ve created follows the journey of a little homing pigeon, who, unlike other homing pigeons, decides to fly away from home.

He finds work as a carrier pigeon, delivering packages of no value to human beings who have no heads. He doesn’t understand these headless people, but continues to work hard in hopes of gaining something bigger.

Because of his ambition, he moves up in the world, to become a messenger for heads that have no bodies. This is the ambitious pigeon’s reward, to live a life in a golden cage through which he gets to see the world, and be a part of delivering messages that have no value and continue to drive the disconnect between people and their perspectives.

Stay tuned for posts three and four, where I’ll share the prints and resolution for this story.

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